Even then, the sight of DiCaprio’s character Glass getting into the warm innards of a horse for healing and heat will stay with us for a long, long time. And we only mention that because squirrel does find a special place when The Revenant invokes its more spiritual leanings.
Few animals are spared that fate, and few niceties are allowed as hungry men scoop or tear meat out from their insides to eat - except perhaps squirrels. In this territory of Man vs Wild, the animals are there only to be eaten or killed for their pelt or fur. If blood is one constant, that’s another. The general population riding into it are as much in stunningness as the viewers, whether happening upon a precipice, a furious waterway, a calm spring, an unblemished blanketed span, a little torrential slide (and was that a shooting star, not certain), or only a crowd processing about as one of them is assaulted by dogs. Cinematographer Emmanuel Lubezki (falling off two Oscar wins, in Gravity and Birdman, and up for another) catches the verging on startling magnificence of an unconquered region in stunning point of interest. It's the mid nineteenth century and Whites are clearing over Native American region, leaving passing and obliteration afterward. Also, that by a man who is one of its more settled occupants. Life is ruthless in this area, portrayed by Tom Hardy's character Fitzgerald as "the edge of the world".
In Inarritu's instinctive and destroying vision, retribution is best served in warm blood, ideally with some spots on the camera lens. Revenge used to be a dish best served frosty.
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